I will be making this available even earlier for paid subscribers. The final version will also include subtitles. Enjoy the early access version now. Thank you for being a paid subscriber!
As you watch this, ask yourself: do they have reason to not want Jazz to have a razor?
Aaron is an example of United Church of the Internal Congruence. Aaron’s motivation is a sense of congruence between herself and her world, as well as between her behavior and other people’s expectations of her behavior.
The portrait at the end is called “Madonna and Wild.” It is a portrait of the pianist. It is unfinished, like she was, and it is this way not because I was psychic (I painted it in 2020) but because she saw it before it was completed. She refused to let me alter it, once she saw herself, as I did.
Share this post